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Join me on a journey through the world of photography. My blog covers a range of topics including camera gear reviews, behind-the-scenes of commissioned projects, workshop recaps, and general thoughts on a variety of photography subjects. Follow along as I share my passion for the art and craft of photography.

Spring 2023: The Era Of Generative AI Is Here

Are You Ready?

It doesn’t matter. Generative AI is here and we better adapt quick or be gone tomorrow.

The above image was created with Adobe’s text-to-image Generative AI, called Firefly. Cute name for a mammoth technological milestone with profound and dire implications for visual artists.


So, like most people who don't live under a rock, I've been messing about with Photoshop's Beta version with a built-in generative AI components over the past few weeks. To say I was pouring expletives and my entire vocabulary of English adjectives at the screen when I first tried it would be understated. Using this technology for the first time feels akin to experiencing black magic. Imagine traveling back to 17th century and giving a modern smartphone to a person of that time. That’s how using the Generative AI feels in 2023.

My opinion as a professional, commercial photographer and time-lapse artist: despite it being utterly impressive, generative AI won't alter how photographs are made from a physical standpoint. You will still need a camera, lenses, and a tripod, as well as to get to the place, brave the weather, compose your images, and press the shutter button. If you have enjoyed this process thus far, you will probably continue to do so in the near future. After all, taking pictures involves physical activity, and the memories it evokes are grounded in actual interactions and experiences.

Example of AI as a design concept tool: I was commissioned to shoot a real-estate project in Dubai, currently under construction. The client wanted to envision the finished water canal with a promenade. Using only a photograph as a basis, I managed to generate a rough masterplan & landscaping concept with AI in less than 30 minutes. The generated visual was used a reference to create a detailed 3D CGI photo-composite.


Having said that, AI is very good, and getting better by the day, as an image creation and manipulation tool. Batman Photographers will no doubt find great use in Generative AI’s abilities, turning Photoshop into their editing sidekick Robin. A few mouse clicks are all you need to completely transform an original image into something else entirely. No special image editing abilities are required either. If you can imagine it, and have a decent command of English language, you’re good to go.

Architectural and real-estate photographers know this pain well. The mess of the real world in which we live, the imperfections. They are the “intruders” which spoil the composition and draw unwanted attention. For this reason, they have no place in professional real-estate and architectural photos. These images require extensive post-production in which the clutter is removed and cleaned up. To retouch the above photo, I’d normally need at least an hour of intense Photoshopping. Nobody likes this sort of work, but it’s unavoidable. With new AI powered tools though, I needed less than 5 minutes to accomplish the same task, with flawless results. I actually had fun in the process!


In terms of the work I do specifically, I believe Generative AI will dramatically accelerate and simplify the editing process which takes a lot of my time. It will make me more productive, at least until it inhabits the robots which may later decide to exterminate us all. We'll probably have to organize the resistance movement and fight back at that point. I may need to rewatch the Terminator movies. But we will deal with that problem when it gets to that.

Featured is the photo of Qasr Al Sarab hotel in Liwa, UAE. I took this shot in May 2022 in a project commissioned by Abu Dhabi Tourism & Culture departement. The bedouin in the foreground and camel footprints in the sand were convincinly generated with Photoshop Beta / Firefly AI. Grading was accomplished with Luminar Neo AI.


What are your thoughts on the subject? Feeling the fear, or are you excited? Have you been exposed to AI yet, for fun or work perhaps? Staying away…for now?

Either way, do let me know in the comments below. This is an important subject which will impact all of us, sooner or later. Nobody will be spared. We need to keep this conversation going.

XPOSURE INTERNATIONAL PHOTOGRAPHY FESTIVAL 2023 in Sharjah is here!

Photography exhibitions. Legendary, world-renowned photographers. Industry experts. Presentations. Film screenings. Workshops. Book signings. Focus groups. Competitions. Latest camera gear & Trade show. Xposure International Photography Festival in Sharjah, UAE is unlike any other and if you care about photography even a tiny bit, you can’t afford to miss it.

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Countdown to the New Year: Capturing Dubai's Magic in Time-Lapse

one camera, one balcony

New Year’s eve at THE WALK at JBR in Dubai in 90 seconds

for someone like me…

…nothing compares to the thrill of making a time-lapse video. It is genuinely magical and a trick that never fails to impress is the ability to condense hours or even days of action into a few brief seconds.

I got the chance to capture a time-lapse video on New Year's Eve from the balcony of a private flat at the Jumeirah Beach Residence in Dubai. The location was ideal, offering a breathtaking view of "The Walk" at JBR, "Ain Dubai" — the largest ferris wheel in the world — on Bluewaters Island, Dubai Harbour Cruise Terminal, and the always spectacular The Palm, with the two Atlantis hotels in the distance. At night, the whole scene looks like a giant, shiny treasure trove full of gold!

To capture a variety of focal lengths and viewpoints, I decided to take the Fujifilm GFX50s camera along with the GF 20-35, GF 32-64, and GF 45-100 lenses. The RRS's Multi-Clamp was used to secure the camera to the balcony's balustrade (amazing piece of gear btw). The RRS Modular L-Plate was attached to the camera, and it was mounted on top of the lightweight yet sturdy RRS BH-30 ballhead. I wanted a quick and simple procedure with little editing, so I decided to shoot in JPEG mode with the GFX’s built-in "Provia" film simulation. I simply wasn't in the mood to fiddle around with RAW files.

The actual shoot lasted for almost 2.5 hours, with the camera set to take a picture every 2 to 5 seconds. Because of this, I was able to record a variety of motion and activity as the evening progressed towards the midnight, and the masses of people below celebrated the beginning of the new year. Fireworks were great, but it was the drone show that I found particularly engaging.

I spent a day editing the finished time-lapse video after the shoot. As usual, I edited the film in Adobe Premiere. I changed the flow and speed of certain shots to produce the mood I was looking for.

Overall, the process of filming and producing this time-lapse video was enjoyable and painless. Provia film simulation produced warm, rich tones that enhanced the luxurious skyline of Dubai's golden cityscape. Seeing the finished product and knowing that I was able to record such a cool moment in time always gives me a rush. And that was my New Year's Eve time-lapse movie-making experience at the Jumeirah Beach Residence.


Hope you liked this blog, and the time-lapse film. To keep updated with my work and new blogs, please subscribe to my mailing list below. Wishing you a happy and healthy New Year 2023!