Back in November 2022, I was approached by Creative Story studio in Dubai to speak about my work, to share inspiring work stories and useful tips for those who are starting out in photography.
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Join me on a journey through the world of photography. My blog covers a range of topics including camera gear reviews, behind-the-scenes of commissioned projects, workshop recaps, and general thoughts on a variety of photography subjects. Follow along as I share my passion for the art and craft of photography.
Lens on AI: The Controversial Impact of Artificial Intelligence on Photography
AI is inevitable
A couple of years ago, hardly anyone spoke of artificial intelligence. Today, all we read, hear, and speak about is artificial intelligence. It seems as if AI suddenly sprang out of nowhere and pounced on us from all sides. That is untrue, of course; AI has been under development for many years, but recent technological advances have made it the dominant focus of all conversations. And also with good reason.
The best chess player in the world will always lose to the AI. Expert AI systems can forecast the weather more accurately than any human meteorologist. The AI is already more accurate than any seasoned physician at making health diagnoses. The majority of automated administrative duties are performed by AI more effectively than the conventional, human method. It's impossible to discuss AI without being concerned about the future of the topic and our place in it. We require strong tools that enable us to complete the task more quickly, effectively, precisely, and affordably. After all, industrialization is what made humankind's unparalleled advancement possible over the previous 250 years. However, we are getting to the point where the AI will soon no longer act as our sidekick or assistant.
Right now, getting replaced is a hot topic. Are this civilization and the entire global economic system prepared to hand over the controls to the AI while we... What precisely is our place and function in the AI-run society? I’d love to hear a concise explanation which makes sense. I have not found one yet. Automation with the aid of AI - that’s one thing. Replacing humans with the same technology. Now that is a completely different matter.
I'm a creative. I can't worry about AI assuming global dominance. It exceeds the scope of my concerns. However, I have some questions for my artistic peers who believe that the AI-generated art “belongs” to them because it popped up on their screens after typing a sentence full of colourful verbs and adjectives, The soulless machine, the robot which was programmed to run a code based on creations of millions of human artists found online was most definitely NOT "bent to their will." It merely ran an executable software code. You just pressed the ENTER button.
I get it; It is inevitable that AI will arrive and stay because people love to find shortcuts in life. Sadly, this also applies to art. But we better be careful about this. My suggestion is that we design the AI in way it will work with us and for us, not than instead of us. The moment we stop inventing, producing, creating, is the moment we become extinct. We should never stop to be curious. The ability to produce art in all shapes and forms from music, poetry to paintings and sculptures is easily the most defining and important human trait. If we lose our gift to create art, we will lose everything that makes us human. It may not even matter if we wake up one day and find ourselves bent to the will of the AI.
Please read my friend Rob Wilson's outstanding article published in the Frames Magazine on the subject, titled LOOK CLOSER: “AI – Machines Rising to which he invited me to add my opinions.
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Countdown to the New Year: Capturing Dubai's Magic in Time-Lapse
for someone like me…
…nothing compares to the thrill of making a time-lapse video. It is genuinely magical and a trick that never fails to impress is the ability to condense hours or even days of action into a few brief seconds.
I got the chance to capture a time-lapse video on New Year's Eve from the balcony of a private flat at the Jumeirah Beach Residence in Dubai. The location was ideal, offering a breathtaking view of "The Walk" at JBR, "Ain Dubai" — the largest ferris wheel in the world — on Bluewaters Island, Dubai Harbour Cruise Terminal, and the always spectacular The Palm, with the two Atlantis hotels in the distance. At night, the whole scene looks like a giant, shiny treasure trove full of gold!
To capture a variety of focal lengths and viewpoints, I decided to take the Fujifilm GFX50s camera along with the GF 20-35, GF 32-64, and GF 45-100 lenses. The RRS's Multi-Clamp was used to secure the camera to the balcony's balustrade (amazing piece of gear btw). The RRS Modular L-Plate was attached to the camera, and it was mounted on top of the lightweight yet sturdy RRS BH-30 ballhead. I wanted a quick and simple procedure with little editing, so I decided to shoot in JPEG mode with the GFX’s built-in "Provia" film simulation. I simply wasn't in the mood to fiddle around with RAW files.
The actual shoot lasted for almost 2.5 hours, with the camera set to take a picture every 2 to 5 seconds. Because of this, I was able to record a variety of motion and activity as the evening progressed towards the midnight, and the masses of people below celebrated the beginning of the new year. Fireworks were great, but it was the drone show that I found particularly engaging.
I spent a day editing the finished time-lapse video after the shoot. As usual, I edited the film in Adobe Premiere. I changed the flow and speed of certain shots to produce the mood I was looking for.
Overall, the process of filming and producing this time-lapse video was enjoyable and painless. Provia film simulation produced warm, rich tones that enhanced the luxurious skyline of Dubai's golden cityscape. Seeing the finished product and knowing that I was able to record such a cool moment in time always gives me a rush. And that was my New Year's Eve time-lapse movie-making experience at the Jumeirah Beach Residence.
Hope you liked this blog, and the time-lapse film. To keep updated with my work and new blogs, please subscribe to my mailing list below. Wishing you a happy and healthy New Year 2023!
Recap: Architectural Photography Workshop at the Etihad Museum in Dubai
On the 18th December in Dubai, 20 photography students gathered at the Etihad Museum in Dubai for an architecutral photography workshop led by an Dany Eid, my fellow Fujifilm X-Photographer and myself. The workshop was organized by Fujifilm Middle East who provided a range of GFX cameras and GF lenses for the students. For many, this was their first experience with the medium format cameras.
As they arrived, the students were greeted by the stunning architecture of the museum, which features a sleek and modern design with clean lines and expansive windows. The group spent the first part of the workshop exploring the iconic building, both inside and out, taking advantage of the diverse range of photo opportunities that this unconventionally designed museum offered.
Inside, the students were able to photograph the impressive entrance lobby featuring a double-height atrium with its slanted, towering columns, imposing interior elements and sweeping curves.
Outside, the students had the chance to photograph the museum's distinct looking roof inspired by a folded sheet of paper and its surroundings, including its landscaped gardens and the bustling cityscape of Dubai in the background. They were able to experiment with different angles, lighting, and compositions to capture the beauty of the museum in their own unique way. Dany and I guided them each step, answering their questions, helping them find the most interesting angles and assisted them with the equipment and camera settings.
After the photo shoot, the group retreated to the classroom in the basement of Etihad Museum for a lesson on basic image post-processing techniques. We covered topics such as adjusting exposure, color correction, perspective correction, retouching, and demonstrated how to use various software tools to achieve the desired results.
The students were eager to learn and put their newfound skills to the test, practicing on their own photographs from the workshop. They were able to see firsthand how post-processing could enhance the overall look and feel of their images, and learned how to use these techniques to better communicate their vision as photographers.
Overall, it was a productive and informative day for the photography students, who left the workshop with a deeper understanding of both the technical and creative aspects of photography. The Etihad Museum provided a beautiful and inspiring setting for the workshop, and the students were able to take advantage of all that it had to offer to create some truly striking photographs.
Here’s my selection of the most interesting shots of the Etihad Museum I took during the 3 hour workshop
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